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ArtAsiaPacific No.26, 2000
Commentary
20 IN FULL BLOOM Kusama, Araki and Dumb Type – Natalie King
23 A NEW GENERATION Young artists on show in Tokyo – Edan Corkill
25 FINDING A PLACE FOR ART Singapore report – Felicity Fenner
28 WOMANIFESTO An exhibition of women’s art in Bangkok – Varsha Nair
31 OPENING CULTURAL DOORS Exhibiting indigenous art – Courtney Kidd
34 FRESH VISIONS ‘1999 Art China’ in San Francisco – Reena Jana
36 A SENSE OF SELF Anglo-South Asian artists speak out – Kevin Braddock
38 FACE TO FACE Contemporary art from Taiwan – Wen-rwei Hsu
Essays
40 SIEVE-O-PHYSIS An interview with Anita Dube – Kamala Kapoor
46 THE CAGE OF WORDS Xu Bing – Jonathan Goodman
54 FISHES AND DRAGONS Ah Xian’s ‘China.China’ series – Claire Roberts
60 RED AND WHITE REFIGURED Indonesian activist art in progress – Astri Wright
66 PASSING THROUGH FIRE Pain and transformation in the art of Arahmaiani – Anoli Perera
72 A NEW ORDER Contemporary visual art in Sri Lanka – Anoli Perera
78 GU WENDA’s SILENT SELVES AND PSEUDO-CHARACTERS – Britta Erickson
Reviews
Steven Pettifor on Judy Freya Sibayan; Iola Lenzi on Heri Dono; Jonathan Goodman on Lim Young-Sun; Jan de Vries on Ram Rahman; Blair French on Michael Parekowhai; Iola Lenzi on ‘Re-emplace’; Andrew Frost on ‘Film – open and closed’; Mark Harrison on In the Red: On Contemporary Chinese Culture; Bernard Smith on Modern Asian Art.
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