ArtAsiaPacific No.27, 2000

Commentary

20 FIZZLE The Third Asia-Pacific Triennial – Hannah Fink

23 DUPLICITOUS DIALOGUE The Asia-Pacific Triennial 1993-99 – Melissa Chiu

26 A VIRTUAL REGION MAAP99 and the Virtual Triennial – Linda Carroli

28 PROBE Australian new media artists in Beijing – Julian Scarff

31 THE FUTURE LOOMS Creative and commercial online – Antonia Carver

33 THE INTERNET Black hole or new frontier? – Robert Bernell

36 POSSIBILITIES FOR DIALOGUE The 1999 ICC Biennale – Eishi Katsura

38 A SCREEN CULTURE CENTRE Cinemedia@Federation Square – Ross Gibson

Essays

40 WHITE-OUT Dumb Type’s image machine – Yukiko Shikata

46 AN ODD CIRCUIT Shu Lea Chang’s online road trip – Lawrence Chua

52 THE FICTION OF EVERYDAY LIFE Video art in the PRC – Francesca Dal Lago

58 AVATARS OF VIRTUAL WORLDS Japanese interactive artists – Machiko Kusahara

64 THE EVOLUTION OF ELECTRONIC ART IN MALAYSIANiranjan Rajah and Hasnul Jamal Saidon

70 INTERFACE Visions of the body and the machine – Kathy Cleland

76 KOREAN VIDEO ART NOW From collage to montage – Hong Sung-Min

82 IMPROBABLE ARCHITECTURES The real, the virtual and the corporate – Beth Jackson

Reviews

Jonathan Goodman on Gang Zhao; Lisanne Gibson on ‘2-Nations’; Courtney Kidd on ‘Voiceovers’; Belinda Wright on Greg Kwok-Keung Leong; Iola Lenzi on Natee Utarit.

 

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