ArtAsiaPacific No.31, 2001

Commentary

20 UNDERCURRENTS: The 8th Festival of Pacific Arts – Susan Cochrane

23 OUR IDENTITY LIES AHEAD: The Fourth Noumea Biennale – Jackie Lewis-Harris

26 FLIGHT PATTERNS: Landscapes of the Pacific Rim – Collette Chattopadhyay

28 TWELVE ASEAN ARTISTS – Iola Lenzi

31 PAPUNYA TULA: A Great Contemporary Art Movement – Joan Kerr

33 MUSEUM CITY FUKUOKA: Art in the City – Robert J. Fouser

36 CANCELLED! Exhibiting Experimental Art in China – Lee Weng Choy

40 POST-MATERIAL: Interpretations of the Everyday in China – Nicky Combs

Essays

42 THE 2000 SHANGHAI BIENNALE: A Historical Event – Wu Hung

50 CONTAGIOUS DESIRE: The Other in Contemporary Chinese Art – Karen Smith

58 A NAKED CITY: Curatorial Notes Around the 2000 Shanghai Biennale – Hou Hanru

64 THE RISE OF A FEMINIST SPIRIT: Women Artists in China – Britta Erickson

66 LIMITLESS DIFFERENCE: On Being a Chinese Woman Artist – Feng Jiali

72 THE TONGHOU ARTISTS COMMUNITY – Yang Yingshi

76 FROM ACTION TO IMAGE: Four Conceptual Photographers – Meg Maggio

83 A RETURN TO THE REAL: New Art and New Spaces – Zhang Zhaouhui

Reviews

Apinan Poshyananda with a tribute to Montien Boonma; Jonathan Goodman on Huang Chi-Yang; Jonathan Goodman on Sowon Kwon; Caroline Turner on Guo Jian; Adam Aitken on The Red Thread.